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An ex-tennis pro carries out a plot to have his wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. When things go wrong, he improvises a new plan – to frame her for murder instead.
Stacey receives a pocket dial from her husband, Jeff, where she hears the sudden death of a woman on the other end. When Jeff comes home and says he lost his phone she doesn’t know what to think. Could Stacey be married to a murderer?
Following the hugely successful Agatha Christie-inspired whodunnits Murder on the Blackpool Express and Death on the Tyne, unlikely super-sleuths Johnny Vegas and Sian Gibson return with a killer group of comedy greats in the latest Draper’s Tours outing, once again written by Jason Cook. Terry (Vegas) and Gemma (Gibson) are forced to take refuge in a sinister and dilapidated caravan park after their coach breaks down. During the unplanned stay, visitors and residents begin to be bumped off one by one under grizzly circumstances. The all-star cast includes Sally Lindsay, Phil Davis, Mike Wozniak, Joanna Page, Jason Donovan and Annette Crosbie.
Three years ago, twenty-two year old “girl-next door” Rachel barely survived a brutal massacre that left all of her friends murdered. Time has passed, and Rachel has moved on, but unfortunately her close friends are spending Spring Break in a secluded house in the woods, and they have cordially invited her to join. She would never have accepted the invitation if she realized that another bloodbath would be showing up as plus one. Once Rachel and her friends arrive at the cabin, the partying, sex, and…terror begins. From girls’ only pillow fights to debauchery in a bedroom, it’s going to be a blast…aside from the stabbing, flesh melting, and castration. Seven friends will go into a secluded house for the best Spring Break of their lives, but only one will be alive to post about it on Facebook the next week, as Rachel’s biggest fears become a reality once again! Can Rachel survive another bloody massacre?
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
